Artistic Research Practices and Methods in Social Sciences /// 30 May – 14 June 2014
Enclave Gallery · Deptford · South East London ///
work by Visual Sociology PhD students of Goldsmiths /// curated by Katalin Halász
The Future of Art is Urban blends the borders between art and social science. The exhibition presents a wide range of different social research practices in which knowledge is produced through artistic approaches. Participants use the city as a site of confrontation and interaction and invite our immediate reflections.
The exhibition is held in conjunction with the 50th anniversary of Goldsmiths Sociology, and is organised in celebration of the 20 years of the Centre for Urban and Community Research.
Some pictures of the interventions and screenings of the engaging tactics stream at the BSA Annual Conference 2013:
Tansy Spinks, sound artist, PhD candidate and lecturer at Middlesex University and Camberwell College of Art.
Norfolk Room, 4th floor. 11.30-12, 1.30-2.30, 4-4.30 hours. The sound performance Sonic Ritual (equivalent) will play with ideas about secret rituals, using objects and the sounds they make, through microphones, live loops and loudspeakers.
Madli Maruste, PhD candidate, Centre for Urban and Community Research, Goldsmiths.
Coronet Room, 2nd floor, all day. The video J. is reflecting on the personal story, a story about the loss of identity, belonging and the city, of a former Jewish Rabbi I met in the Old Jewish quarter in Vilnius, Lithuania in 2012.
Kata Halasz, visual artist, PhD candidate in Visual Sociology, Goldsmiths.
Cornwall Room, 2nd floor, all day. Not being able to attend, the author reimagines a ceremony of the Freemasons as a question rather than a statement: in endless circulation the figure is unable – or unwilling – to reach the pulpit to carry out ritual actions. The video asks its viewers too think about exclusion and inaccessibility – about who is invited to the table.
Performance and screenings // Wednesday April 3rd, all day // BSA Annual Conference 2013
The venue for the 2013 BSA conference is the grandly mysterious Connaught Rooms, owned by the Freemasons, complete with masonic stars on door handles and secret entrances into the Masonic Lodge next door. Off the record, in adjacent rooms and (almost) concealed interventions to the conference, Engaging Tactics therefore showcases a sound performance and video screenings that search for ways to talk about and engage with those bodies and lives that keep or are kept away from public.
Interventions and screenings by
Tansy Spinks: sound artist, PhD candidate and lecturer at Middlesex University and Camberwell College of Art.
The sound performance Sonic Ritual (equivalent) will play with ideas about secret rituals, using objects and the sounds they make, through microphones, live loops and loudspeakers.
Madli Maruste: PhD candidate, Centre for Urban and Community Research, Goldsmiths.
The video J. is reflecting on the personal story, a story about the loss of identity, belonging and the city, of a former Jewish Rabbi I met in the Old Jewish quarter in Vilnius, Lithuania in 2012.
Kata Halasz: visual artist, PhD candidate in Visual Sociology, Goldsmiths.
Visual wallpaper, composed of an animated gif projected in loop, intertwining the space, time and histories of the Grand Connaught Rooms.
Roundtable discussion // Wednesday 3 April 2013 at 16:30 – 18:00 // BSA Annual Conference 2013
With: Noortje Marres, Nirmal Puwar, Alison Rooke and Michael Guggenheim (all of Goldsmiths, University of London). Chaired by Anna Bull and Christian v. Wissel.
This roundtable is sounding out the speaking and acting powers of multi-media techniques to collect, analyse, archive, and share ethnographic social research as well as other kinds of social data and materials. Drawing on the interventions and screenings presented within Goldsmith’s open stream ‘Engaging Tactics: Revealing Secrets’ during the first day of this year’s BSA Annual Conference, the discussion will envision possible futures for social research by mapping out Live Sociology from participatory art to digital methods, from curating to eating.
Live Methods, 2013, edited by Les Back and Nirmal Puwar, Sociological Review Monographs Series, will be at display during the Publishers’ Drinks reception on Wednesday at 7 pm.
Humanities PhD Graduate Student Conference /// Centre for Interdisciplinary Studies in Society and Culture /// Concordia University, Montréal, Canada /// April 26-27, 2013
Call for Presentations
The Humanities PhD Student Association at Concordia University is pleased to announce that we are now accepting abstract submissions for our annual conference. With Pressing [against] Methods, we invite graduate and post-doctoral students from all disciplines in the social sciences, fine arts and liberal arts to present on the issue of research methods. The conference, to be held on April 26-27, 2013, will be an opportunity to critically reflect on how we link the production of new knowledge with our methodological practices.
For further information about submissions please go to Pressing [against] Methods CFP. Deadline for submission is March 1, 2013.
Engaging Tactics is reconvening a stream inside and outside the BSA Annual Conference Engaging Sociology, 3-5 April 2013, London, convened by Goldsmiths’ Postgraduate Research Community and Sociology Methods Lab
///// Call for Papers and Interventions
Engaging Tactics seeks to explore the boundaries between sociology and real life, through multi-sensory, multi-site engagement with publics and participants inside and outside of sociology and academia. Following the success of the Engaging Tactics interdisciplinary conference and BSA postgraduate event at Goldsmiths College in April-May 2012, we are reconvening for a one day stream inside the BSA conference 2013 plus a series of outside fringe acts.
We are inviting abstracts and other forms of contributions on:
Revealing Secrets [social life off-stage]
The venue for the 2013 BSA conference is the grandly mysterious Connaught Rooms in Covent Garden, owned by the Freemasons, complete with masonic stars on door handles and secret entrances into the Masonic Lodge next door. The conveners of Engaging Tactics therefore propose a theme of ‘revealing secrets’: finding ways to talk about and engage with those bodies and lives that are kept away from the public. We encourage participants to take their own research areas and adapt them to the space and the theme, raising questions around engagement, inclusion and exclusion.
We invite conventional or unconventional papers, installations, or other tactics of engagement for this one-day stream within the BSA conference. We especially welcome site-specific submissions which use the venue and/or the local area to raise or explore questions on engagement, as well as visual artists and participants from other disciplines to submit material for a session on ‘curating sociology’.
please send your submissions, ideas and enquiries to email@example.com
deadline for submissions is Monday, December 10th, 2012
The Grand Connaught Rooms, venue of this year’s BSA Annual Conference, is home to a century-old history of Freemasonry in England. Connected to the United Grand Lodge’s temple through secret passageways and ornate, locked doors, the architecture and life of the building make constant references to the hiding and seeking of occult meanings and well-guarded paths to (parallel?) truths. Whether “secret society” or “society with secrets”, the league enjoys playing with the thrill of keeping some of its information in the dark, claiming that it is precisely such secrecy that guarantees the free expression of ideas among members while fostering the proliferation of the values of the Enlightenment. Inhabiting secrets, for the Freemasons, seems to be a comfortable thing to do. But what about those that are forced to live in secret? Those, that do not gain a position of power – be it illusory or not – from inhabiting the parallel and off-stage spaces of society? Goldsmith’s Engaging Tactics stream ‘Revealing Secrets’ seeks to explore the social life of secrets by engaging with its keepers and seekers during the BSA conference: in the kitchen of the Grand Connaught Rooms, on the fly gallery of the neighbouring Royal Opera House or in Sir John Soane’s secret cabinet down the road.
For more information and inspirations please see:
the call is available as pdf here.